Daniel T. Curran has gained a reputation for his intensely intelligent performances in opera, theater, and concert stages throughout the United States and internationally. A versatile tenor and graduate of The Juilliard School and Chapman University, some of Daniel’s notable solo concert engagements include Bernstein’s Mass with the Mostly Mozart Festival at Lincoln Center; Mozart’s Coronation Mass at Carnegie Hall with the Masterwork Festival Chorus; Mozart’s Requiem with the National Chorale at Lincoln Center; and Vaughan Williams Hodie: Fantasia on Christmas Carols at Carnegie Hall. Beyond the concert hall Daniel is active on the operatic and theatrical stages and has been heard in such roles as Tonio in Donizetti’s La fille du regiment with Pittsburgh Opera; Ernesto in Donizetti’s Don Pasquale with Zomeropera, Belgium; Peter Quint in Britten’s The Turn of the Screw with Oakland’s West Edge Opera; Ferrando in Mozart’s Cosi fan tutte and Electrician in Ades’ Powder Her Face with New York City Opera; and can be heard in the ensembles of the Emmy-nominated performances of Rodgers and Hammerstein’s Carousel with Live From Lincoln Center; Frank Loesser's Most Happy Fella with Encores at New York City Center; and the Jerry Herman Memorial at the Lunt-Fontanne Theater on Broadway. While living in New York, Daniel workshopped, debuted, and recorded various new works at reputable venues such as the National Opera Center, The Brooklyn Academy of Music, Kaufman Concert Hall, The DiMenna Center for Classical Music, Alice Tully Hall, Power Station Studios, and Yellow Lab Studios. Daniel is a past recipient of Merola’s Schwabacher Recital Series and was a 2014 regional finalist of the Metropolitan Opera National Council Auditions. In addition to his career as a vocalist, Daniel is also a composer and multi-instrumentalist and can usually be found on a piano or scoring music to picture whenever he isn’t singing.