James F. Ingalls made his Los Angeles Master Chorale debut with Lagrime di San Pietro. His other work in Los Angeles includes The Beauty Queen of Leenane, The Price and A Parallelogram (Mark Taper Forum),The Gospel According to the Other Mary, Canata Criolla, Oedipus Rex/Symphony of Psalms, and El Niño (Los Angeles Philharmonic), Carmen de Lavallade’s As I Remember It (Wallis Annenberg Center), and Tribu, choreographed by Melanie Rios Glaser (RedCat). Recent designs for dance include Concertiana, Half Life andThe Beauty in Gray (Paul Taylor's American Modern Dance), Giselle (Finnish National Ballet), and George Balanchine’s The Nutcracker (Miami City Ballet). Recent design for opera includes the world premiere of Kaija Saariaho's Only the Sound Remains (Dutch National Opera and Paris Opera/Garnier) and La Clemenza di Tito (Salzburg Festival), both directed by Peter Sellars. Recent theatre includes Waiting for Godot, Sive and King of the Castle, all directed by Garry Hynes (Druid Theatre/Galway). He often collaborates with The Wooden Floor dancers in Santa Ana, California.